Selasa, 22 Desember 2015

Final Article of The Meadow Mouse by Theodore Roethke


Diah Widiastutik (20131111040)
Rusneesan Cheada (20131111015)

In a shoe box stuffed in an old nylon stocking
Sleeps the baby mouse I founding the meadow,
Where he trembled and shook beneath a stick
Till I caught him up by the tail and brought him in,
Cradled in my hand,
A little quaker, the whole body of him trembling,
His absurd whiskers sticking out like a cartoon-mouse,
His feet like small leaves,
Little lizard-feet,
Whitish and spread wide when he tried to struggle away,
Wriggling like a miniscule puppy.

Now he's eaten his three kinds of cheese and drunk from
his bottle-cap watering trough--
So much he just lies in one corner,
His tail curled under him, his belly big
As his head; his bat-like ears
Twitching, tilting toward the least sound.

Do I imagine he no longer trembles
When I Come close to him?
He seems no longer to tremble.

But this morning the shoe-box house on the back porch is
empty.
Where has he gone, my meadow mouse,
My thumb of a child that nuzzled in my palm?--
To run under the hawk's wing,
Under the eye of the great owl watching from the elm-tree,
To live by courtesy of the shrike, the snake, the tom-cat
I think of the nestling fallen into the deep grass,
The turtle gasping in the dusty rubble of the highway,
The paralytic stunned in the tub, and the water rising--
All things innocent, hapless, forsaken.

Analyzing:

“The Meadow Mouse” reflecting Theodore Roethke suffering with nature’s animals which he had found in a shoe box stuffed in an old nylon stocking which is trembling and shock between the stick in the meadow. Then suddenly he picked up the little mouse and hugs him tightly in his arms, while the whole body of the mouse is trembling, his absurd whiskers sticking out like a cartoon-mouse, his feet like small leaves, little lizard-feet, whitish and spread wide when he tried to struggle away, and wriggling like a miniscule puppy as he feels that the mouse as if it was as his child. In the first stanza, where Roethke used a lot of words like “baby”, “cradled”, “little” and “puppy” to explain to the readers that they able to tell that the poet treats and look at the meadow mouse as if he’s looking at a baby of his own. It is also like the poet has his flashback about his childhood memory.

Most of the people usually didn’t care about the meadow mouse. They usually questioning about why should they care about the meadow mouse? But in this poem, Roethke cares about the animal or the field mouse which is looks like his childhood. The poet expressing about how we can “imagine” another person feels by reading to it.

About the title it means that the mouse is a mouse that the poet found in a field where Roethke brings the field mouse home, feeds it, and gives it a shoe-box home for hoping that the little fellow will be even unafraid by then.
Do I imagine no he no longer trembles
When I come close to him?
He seems no longer to tremble

But in one morning, the box is empty, and the poet questions the mode of its going, fearing danger from the hawk, owl, shrike, snake, or tomcat. Then the tiny mouse’s danger causes him to think of all helpless creatures that the meadow mouse will get struggles which can cause bad effect to him.
I think of the nestling fallen into the deep grass,
The turtle gasping in the dusty rubble of the highway,
The paralytic stunned in the tub, and the water rising—
All things innocent, hapless, forsaken

In this poet there is no moral issue at all, but it is about love between human and animal. Roethke makes a human correlation that he discovery about human conditions and parental worries over a child. Even though the world is fraught with danger, in the natural scheme of things, every parent knows their child will leave the safe environment of home to seek his own fortune in this dangerous world and even though the dangers are real, a parent must let the child go for their good shakiness as same as the poet do to the field mouse.

 We can break our hearts loving this world, but it never glances in our direction, never returns our love. Still, we love, and some men which the poet itself rush to alleviate suffering and even to save the meadow mouse. I think most of us would willingly go forth with the poet to save the meadow mouse who is in danger and loneliness. As said in the poem that the meadow mouse is gone from the shoe-box, we’d imagine its making its way through the meadow while overhead the hawk, owl, and tomcat where we don’t know what will happen to him like in the last sentence “All things innocent, hapless, and forsaken.”


Rabu, 09 Desember 2015

WILLIAM SHAKESPEARE SONNET CXLVI

MILA KAMILIA (20131111003)
HANDOKO (20131111030)

WILLIAM SHAKESPEARE
        SONNET CXLVI
In this Sonnet which apparently stands alone, the poet reflects on the folly of bestowing excessive care on the body, the soul's outer covering and ministering servant.The sonnets were apparently composed during a period of ten or a dozen years starting in about 1592-1593.The general scope of the Sonnet was taken into account.Shakespeare have held the Sonnets to be merely dramatic and couldn’t have conceived that poems. So, this poem is ilustrate the spirit and inner meaning of Shakespeare's growth in life.
Firstly, a main register of the poem deals with religion. In lines one and two describe the soul is to be housed in the earth as well as in the center of body because it is indulged in the temporal. The individual are subsequently engaged in a war within itself between the desire for the transitory world versus the need for spirituality.This internal war between the soul and the body are hinted by the word “array(line 2) which often connected with elements of war. It is inevitable battle that occurs between the soul and the bodyand God. So, the poet concernwith morality such us civil battle.
 Secondly, believesif theacceptance of themhadn’t involved the consequence of Shakespeare's intrigue with a married woman. The Sonnets have taken as speaking of Shakespeare's own lifeThe principal subject is manifestly the feeding of the body and soul. So,He is anxious to remove every stain that contends for a non-natural interpretation.
The last, talk about attitude in The late Dr. Ingle by maintained "that 'array' in this Sonnet means ill-treat or bring into evil condition" (Shakespeare: the Man and the Book, Pt. I. p. 166). But the context seems to preclude this meaning, whatever might be the possible sense of "array" in another connection.So, thesubsequent history of the text of the sonnets is inseparable from the history of Shakespeare’s reputation. The particular poems that in circulation suggest that the general shape and themes of the sonnets was established from the earliest stage

In conclusion“SONNET CXLVI” isthat the latter, not the former and to be fed.He expresses the resolution to attain immortality, by nourishing the soul at the body's expense.It is manifest that the second line as thus given is wrong, but how it is to be corrected is a matter concerning which the opinions of critics have very greatly varied.

Robert Bridges Epws (Eros ) - kelompok 11

siti nur indah fitrianingsih (20131111012)
fanda sintiya trisna (20131111022)

Eros
Why hast thou nothing in thy face?
Thou idol of the human race,
Thou tyrant of the human heart,
The flower of lovely youth that art;
Yea, and that standest in thy youth
An image of eternal Truth,
With thy exuberant flesh so fair,
That only Pheidias might compare,
Ere from his chaste marmoreal form
Time had decayed the colours warm;
Like to his gods in thy proud dress,
Thy starry sheen of nakedness.

Surely thy body is thy mind,
For in thy face is nought to find,
Only thy soft unchristen’d smile,
That shadows neither love nor guile,
But shameless will and power immense,
In secret sensuous innocence.

O king of joy, what is thy thought?
I dream thou knowest it is nought,
And wouldst in darkness come, but thou
Makest the light where’er thou go.
Ah yet no victim of thy grace,
None who e’er long’d for thy embrace,
Hath cared to look upon thy face.



Social issues is actually tell us about how our ability to make other people trust to us. It is very difficult because in the social we will find different characters of each person. We will also make our attitude right in front of other people. When our attitude changed just a little, other people will comment about that. So, social issue is really complicated when face to other people or in social or public.

First stanza tells social issue, the real character in here is a king. The king in here is a king that began to weaken.  he will be conceived not like a manly king, he is idolized a people who is beneath than he is, it is from the quotation here “Thou idol of the human race”. The weakness of the king shown by the differences between his young and his condition now. In his past, he is a manly, commanding, and also wise king. Now, he has not wisdom, authority, and charm. From the quotation here “Yea, and that stands in thy youth”, no one knows why he change become a weak king. Probably, just a time that makes the changing of the king.  Second stanza also tells about the king that suddenly becomes weak king. It tells about the changing attitude of the king, mind of the king, care of the king, and other things that change by the king. It is show that the king now does not have ability to make the follower follow him. He does not have a power again. Third stanza tells about the follower need the king like in the past. They miss the last king. They want to make the king back like in the past. But, many problems will appear when they make the king back again. Many difficulties to make the king come back again. Finally they accept what the king now.


To sum up, that poem really tells about social issue that will give us benefit. From that poem we know how to make our attitude not to be changed. So, other people will stay with us. It is also make us not changing our attitude, mind and other without any reasons.

Twas like a Maelstrom, with a Notch by Emily Dickinson - Kelompok 9

Aisa Damayanti K. (20131111029)
Tri Kartini Kartika B. (20131111080)
Twas  like  a Maelstrom, with a notch
by Emily Dickinson
Twas like a maelstrom, with a notch
That nearer, every day,
Kept narrowing its boiling wheel
Until the agony
Toyed coolly with the final inch
Of your delirious hem-
And you dropt, lost
When something broke-
And let you from a dream-
As if a Goblin with a gauge-
Kept measuring the hours-
Until you felt your second
Weigh, helpless, in his paws-
And not a sinew - stirred - could help,
And sense was setting numb-
When God - remembered - and the fiend
Let go, then, overcome-
As if your sentence stood - pronounced-
And you were frozen led
From Dungeon’s luxury of doubt
To Gibbets, and the dead-
And when the film had stitched your eyes
A creature gasped “Reprieve”!
Which Anguish was the utterest - then -
To perish, or live?
In this poem, We can imagine that a Maelstrom is a nightmare that nearer come every day. The bad dreams that make human feel the deep pain.  When people got a nightmare that bring us to the scariest things and it feel like we cannot speak any words. The first two stanzas describe as if you are being trapped in a huge whirlpool. And then you drowned, delirious with the pain until you had been pulled under all the way to the last inch of clothes. Just if we wake up from the nightmare because there is something that break the dream, it is a very near miss.
The next two stanzas describe another nightmare. There is a big goblin that have “paws” in its hand. The goblin measures your suffering with a gauge, a minute until an hour its make you numb so that you cannot move a muscle to set yourself free. We often have this nightmare. The bad dream that make people fighting to move or even to shout out for help but unable to. The devil let us go when God comes. Thing that the human remembered at the last second is the Goblin becomes the devil “the Fiend,” as if you were captured by Satan and carried, helpless, into Hell. The terrible experience is as if you’d been sentenced to death but then left in the dungeon about your future.

Certainly, there is no optimism in this poetry. Its like someone who giving up for life when they are trapped in a trouble. What all of these events have is the feeling of helplessness. You know for sure your moment of death is at hand. As if “frozen,” you go, and as you are hanged and your film of eyes was over. someone comes running up gasping “’Reprieve’!” you can still saved at the last second from a hideous death. In the end of the poetry there are two words “perish” and “live”. We do not know is the person still alive or pass away right there after they got that bad experience. The sufferer doesn’t have power to avoid pain or to inspire her rescue. Rescue seems as inexplicable as pain. After all that nightmare, it seems like that person was  give in when they are trapped in the bad things. That person  become too pessimism and no willing to run from the fear, just being helplessly.

William Wordsworth from The Prolude, or, Growth of a Poet’s Mind (from book 1) - Kelompok 13

KELOMPOK 13

Fikria Muzakki Aminy – 20131111035
Destawati Cardini – 20131111005

William Wordsworth from The Prolude, or, Growth of a Poet’s Mind (from book 1)


The Prelude or, Growth of a Poet's Mind; An Autobiographical Poem is an autobiographical conversation poem in blank verse by the English poet William Wordsworth. Intended as the introduction to the more philosophical Recluse, which Wordsworth never finished, The Prelude is an extremely personal and revealing work on the details of Wordsworth's life. Wordsworth began The Prelude in 1798 at the age of 28 and continued to work on it throughout his life. He never gave it a title; he called it the "Poem (title not yet fixed upon) to Coleridge" and in his letters to Dorothy Wordsworth referred to it as "the poem on the growth of my own mind". The poem was unknown to the general public until published three months after Wordsworth's death in 1850, its final name given to it by his widow Mary.The Prelude is widely regarded as Wordsworth's greatest work. (https://en.wikipedia.org/wiki/The_Prelude). The poem had six stanzas (160 lines) that we will analyze below:

Fair seed-time had my soul, and I grew up
Fostered alike by beauty and by fear:
Much favoured in my birth-place, and no less
In that beloved Vale to which erelong
We were transplanted;—there were we let loose
For sports of wider range. Ere I had told
Ten birth-days, when among the mountain slopes
Frost, and the breath of frosty wind, had snapped
The last autumnal crocus, ’twas my joy
With store of springes o’er my shoulder hung
To range the open heights where woodcocks run
Along the smooth green turf. Through half the night,
Scudding away from snare to snare, I plied
That anxious visitation;—moon and stars
Were shining o’er my head. I was alone,
And seemed to be a trouble to the peace
That dwelt among them. Sometimes it befell
In these night wanderings, that a strong desire
O’erpowered my better reason, and the bird
Which was the captive of another’s toil
Became my prey; and when the deed was done
I heard among the solitary hills
Low breathings coming after me, and sounds
Of undistinguishable motion, steps
Almost as silent as the turf they trod.

In this first stanza, we found that the journey of William Wordsworth was very difficult. In the line “I was alone, And seemed to be a trouble to the peace”. There is social aspect from this poem, that how difficult that he face for troubles.  In these night wanderings, that a strong desire...O’erpowered my better reason, and the bird...Which was the captive of another’s toil...Became my prey” but, he tried to survive as well as possible althought many problems came.

Nor less, when spring had warmed the cultured Vale,
Moved we as plunderers where the mother-bird
Had in high places built her lodge; though mean
Our object and inglorious, yet the end
Was not ignoble. Oh! when I have hung
Above the raven’s nest, by knots of grass
And half-inch fissures in the slippery rock
But ill sustained, and almost (so it seemed)
Suspended by the blast that blew amain,
Shouldering the naked crag, oh, at that time
While on the perilous ridge I hung alone,
With what strange utterance did the loud dry wind
Blow through my ear! the sky seemed not a sky
Of earth—and with what motion moved the clouds!

And second stanza explained about the struggle of his life. That the weather was change and day by day he would pass the big trouble of his life. “the sky seemed not a sky...Of earth—and with what motion moved the clouds!” it is his imagination about the bad of world due to his bad life that he faced.

Dust as we are, the immortal spirit grows
Like harmony in music; there is a dark
Inscrutable workmanship that reconciles
Discordant elements, makes them cling together
In one society. How strange, that all
The terrors, pains, and early miseries,
Regrets, vexations, lassitudes interfused
Within my mind, should e’er have borne a part,
And that a needful part, in making up
The calm existence that is mine when I
Am worthy of myself! Praise to the end!
Thanks to the means which Nature deigned to employ;
Whether her fearless visitings, or those
That came with soft alarm, like hurtless light
Opening the peaceful clouds; or she would use
Severer interventions, ministry
More palpable, as best might suit her aim.

In the third stanza, that told us everything will be change with the united of power. The power of togetherness as human to reach the bright victory. In this stanza, he wrote “the immortal spirit grows...Like harmony in music; there is a dark...Inscrutable workmanship that reconciles”.William Wordsworh believes that spirit would grow up and increase. There is some dark in life and he belives that the magic and amazing thing would come after pain.

One summer evening (led by her) I found
A little boat tied to a willow tree
Within a rocky cave, its usual home.
Straight I unloosed her chain, and stepping in
Pushed from the shore. It was an act of stealth
And troubled pleasure, nor without the voice
Of mountain-echoes did my boat move on;
Leaving behind her still, on either side,
Small circles glittering idly in the moon,
Until they melted all into one track
Of sparkling light. But now, like one who rows,
Proud of his skill, to reach a chosen point
With an unswerving line, I fixed my view
Upon the summit of a craggy ridge,
The horizon’s utmost boundary; far above
Was nothing but the stars and the grey sky.
She was an elfin pinnace; lustily
I dipped my oars into the silent lake,
And, as I rose upon the stroke, my boat
Went heaving through the water like a swan;
When, from behind that craggy steep till then
The horizon’s bound, a huge peak, black and huge,
As if with voluntary power instinct,
Upreared its head. I struck and struck again,
And growing still in stature the grim shape
Towered up between me and the stars, and still,
For so it seemed, with purpose of its own
And measured motion like a living thing,
Strode after me. With trembling oars I turned,
And through the silent water stole my way
Back to the covert of the willow tree;
There in her mooring-place I left my bark,—
And through the meadows homeward went, in grave
And serious mood; but after I had seen
That spectacle, for many days, my brain
Worked with a dim and undetermined sense
Of unknown modes of being; o’er my thoughts
There hung a darkness, call it solitude
Or blank desertion. No familiar shapes
Remained, no pleasant images of trees,
Of sea or sky, no colours of green fields;
But huge and mighty forms, that do not live
Like living men, moved slowly through the mind
By day, and were a trouble to my dreams.

In fourth stanza, we found the strength of Willam Wordswort. He is very confident to reach the goal, what he wants in this peace of  poem “With an unswerving line, I fixed my view....Upon the summit of a craggy ridge”. He tried and full of effort to achieve his dream for happiness although difficult.

Wisdom and Spirit of the universe!
Thou Soul that art the eternity of thought
. givest to forms and images a breath
And everlasting motion, not in vain
By day or star-light thus from my first dawn
Of childhood didst thou intertwine for me
The passions that build up our human soul;
Not with the mean and vulgar works of man,
But with high objects, with enduring things—
With life and nature—purifying thus
The elements of feeling and of thought,
And sanctifying, by such discipline,
Both pain and fear, until we recognise
A grandeur in the beatings of the heart.
Nor was this fellowship vouchsafed to me
With stinted kindness. In November days,
When vapours rolling down the valley made
A lonely scene more lonesome, among woods,
At noon and ‘mid the calm of summer nights,
When, by the margin of the trembling lake,
Beneath the gloomy hills homeward I went
In solitude, such intercourse was mine;
Mine was it in the fields both day and night,
And by the waters, all the summer long.

In this satanza explained that a study of sanctification which describes the nature purify the whole feeling with feelings of fear and pain that we are aware of the existence of grandeur in the wisdom and spirit of the universe. The elements of feeling and of thought, and santifying by such dicipline. Both pain and fear, until we recognise. 


 And in the frosty season, when the sun
Was set, and visible for many a mile
The cottage windows blazed through twilight gloom,
I heeded not their summons: happy time
It was indeed for all of us—for me
It was a time of rapture! Clear and loud
The village clock tolled six,—I wheeled about,
Proud and exulting like an untired horse
That cares not for his home. All shod with steel,
We hissed along the polished ice in games
Confederate, imitative of the chase
And woodland pleasures,—the resounding horn,
The pack loud chiming, and the hunted hare.
So through the darkness and the cold we flew,
And not a voice was idle; with the din
Smitten, the precipices rang aloud;
The leafless trees and every icy crag
Tinkled like iron; while far distant hills
Into the tumult sent an alien sound
Of melancholy not unnoticed, while the stars
Eastward were sparkling clear, and in the west
The orange sky of evening died away.
Not seldom from the uproar I retired
Into a silent bay, or sportively
Glanced sideway, leaving the tumultuous throng,
To cut across the reflex of a star
That fled, and, flying still before me, gleamed
Upon the glassy plain; and oftentimes,
When we had given our bodies to the wind,
And all the shadowy banks on either side
Came sweeping through the darkness, spinning still
The rapid line of motion, then at once
Have I, reclining back upon my heels,
Stopped short; yet still the solitary cliffs
Wheeled by me—even as if the earth had rolled
With visible motion her diurnal round!
Behind me did they stretch in solemn train,
Feebler and feebler, and I stood and watched
Till all was tranquil as a dreamless sleep.


In this last stanza tells of someone who is in a state that collapsed and at that moment someone was not able to defend his life and in the end he wanted a death that would make life quieter without having to experience the dream will not be realized in real life. Not seldom from the uproar I retired. He feels tired with his problem and he doesn’t keep with the condition.

Then, this poem made by William Wordsworth is about his life experiences. it is there is a relationship with a landscape that bring a gift of something very soft which can calm the heart of a problem that Wordsworth wrote on the content of the opening of this poem. Complicated, but it signifies a power which is more disturbing, which at that time Wordsworth reminded by an incident is very large and painful that his presence is a big warning for him. This poem is one of the efforts or how God protects his people. A poetic call which is an effort to create and deliver a new genre. So, it talks about social life.

REFERENCES:

British Library, The Prolude (Book 1), http://www.bl.uk/works/the-prelude-book i#sthash.X40vIoLW.dpuf, (Accessed December 8, 2015)
Wikipedia, The Prolude, https://en.wikipedia.org/wiki/The_Prelude#Literary_critic_on_The_Prelude, (Accessed December 8, 2015)
Cliffnotes, Analysis Of The Prolude, http://www.cliffsnotes.com/literature/p/the-prelude/critical-essays/analysis-of-the-prelude, (Accessed December 8, 2015)